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Organic modeling – part 10

Organic modeling – part 10

Aug 20, 2006

“Organic modeling – part 10” by Eric Maslowski This tutorial takes a look at using reference photos for creating a head texture. If you have photographs that can work, there really isn’t any reason not to use them since they can often provide plenty of subtle details that would be very time consuming to add otherwise. These videos are a...

Organic modeling – part 9

Organic modeling – part 9

Aug 20, 2006

“Organic modeling – part 9 ” by Eric Maslowski This tutorials walks the user through a complete unwrapping session and points out problems often encountered when dealing with organic models. Such topics in these tutorials include: Pelt Mapping, Relaxing UVs, Unwrap UVW Setup, Pixel Distribution, etc. 3Dtutorials.sk recommendation: To maximise...

Organic modeling – part 8

Organic modeling – part 8

Aug 18, 2006

“Organic modeling – part 8 ” by Eric Maslowski In this tutorial we’ll take a look at how the spline method can be used to model a very complex form, the ear. We will go over several tools found in EditPoly for creating overhangs, and also look at attaching the ear seamlessly with an existing head. 3Dtutorials.sk recommendation: To...

Organic modeling – part 7.

Organic modeling – part 7.

Aug 18, 2006

“Organic modeling – part 7 ” by Eric Maslowski In this tutorial we use a sphere to speed up the modeling of the skull and neck areas. 3Dtutorials.sk recommendation: To maximise the realism of your 3D characters we recommend to use high quality human photo references from the #1 texture website www.3D.sk To see the seventh part from great...

Demon

Demon

Aug 18, 2006

“Demon” by Ken Brilliant This model utilized 3 different programs: Amapi 6, ZBrush1.5 and Lightwave 7.5. This tutorial will focus mainly on the Amapi portion of the creation process. Amapi has an unusual interface and workflow that may be awkward for some to get used to at first. Once you do though, there are some powerful tools and a fast workflow...

Tainted

Tainted

Aug 17, 2006

“Tainted” by Shreya Shetty Ever since I’ve known about the character, I’ve always wanted to paint the Pierrot. There’s something really vulnerable and tragic about him that makes him so endearing – always a good subject for a painting! The original story goes something like this: There is a story about the pierrot, which...